March 10, 2018

Oscars 2018: The Regulars

Unlike the last few years, I was unable to publish this post before the Oscars were handed out. But despite the delay, I think it was important to post it, to celebrate the unsung heroes (female and male technicians and artists), who have made it a habit to get nominated at for the Academy Awards.

9 Nominations
  • Alexander Desplat (Music Composer): Nine nominations in the last twelve years, including two wins. That's some form! Won for 'The Grand Budapest Hotel' and 'The Shape of Water'. Other works include 'The Curious Case of Benjamin Button', 'The King's Speech', and 'Argo'.
  • Doug Hemphill (Sound Designer): Between Dick Tracy (1990) and Life of Pi (2012) and finally 'Blade Runner 2049' (2017), only one win. And that was in 1993 for 'The Last of the Mohicans'. So it has been 25 years without a win despite frequent nominations.
  • Gregg Landaker (Sound Designer): 'Dunkirk' resulted in Landaker's fourth win, but first in twenty-three years. The first three wins were for 'Star Wars: The Empire Strikes Back', 'Raiders of the Lost Ark' and 'Speed'. 
  • David Parker (Sound Designer): Nominated for the first time thirty-four years ago for 'Never Cry Wolf'. Won for 'The English Patient' in 1996 and then for 'The Bourne Ultimatum' in 2008. 'Star Wars: The Last Jedi' earned him his ninth nomination but it did not convert into a win.
  • Diane Warren (Songwriter): Nine nominations in thirty-one years. And not a single win. Well, she has won a Grammy, an Emmy and a Golden Globe. But an Oscar eludes her. This time she lost to 'Coco'.

10 Nominations
  • Joe Letteri (VFX Artist): In the last sixteen years, he has won ten nominations and four wins (for 'Lord of the Rings': Parts 2 and 3, 'King Kong' and 'Avatar'). Was nominated for 'War for the Planet of the Apes' this time, but 'Blade Runner 2049' prevented him from his fifth win. 

11 Nominations
  • Michael Semanick (Sound Designer): After winning for 'Lord of the Rings - Part 3' and 'King Kong', he has been nominated for 'Ratatouille', 'Wall-E' and 'The Social Network', among others. The latest Star Wars movie earned him his eleventh nomination, but could not win.
  • Hans Zimmer (Music Composer): 'Dunkirk' failed to give him his second Oscar, the first and the only win had come for 'The Lion King' in 1995, despite earning nominations for 'Inception', 'Gladiator' and 'The Thin Red Line', among others.

14 Nominations
  • Roger Deakins (Director of Photography): Nominated for the first time for 'The Shawshank Redemption' twenty-three years ago. It was followed by more nominations, for 'Fargo', 'Kundun', 'No Country for Old Men', 'Skyfall' and 'Sicario', among others. Finally, Deakins won his first Oscar for 'Blade Runner 2049'. More to follow, soon?

And then, of course:

51 Nominations
  • John Williams (Music Composer): The 85-year old genius who has composed numerous iconic tunes, including those for 'Star Wars', 'E.T.', 'Saving Private Ryan' and 'Harry Potter' and has won five Oscars. Since 1968, he has earned a nomination almost every year. However, he won his last trophy twenty-four years ago for 'Schindler's List' and this time too he lost to the first name on this list.

January 27, 2018

Top 10 at Oscars 2018

The Oscar season is here. In about five weeks from now, the awards will be handed out. I know I'll be travelling on that Monday early morning (Sunday evening in LA) but will try my best to catch the live broadcast. Meanwhile, there is a lot of work to do. I have hardly watched movies in the last few months, and hence will be eager to binge on some.

So if you want to enjoy the Oscar ceremony, make predictions among your friends, root for some and crib about wrong decisions, I share with you here a list of ten movies you must watch. I have been doing this on this blog for five years now. 

These ten movies cover more than two-thirds of all nominations (not including non-feature film categories). Here we go:

  • Blade Runner 2049 (5 nominations): Cinematography. Production Design. Sound Editing. Sound Mixing. And VFX. Director Denis Villeneuve fails to secure a nomination for himself unlike last year's 'Arrival'. DOP Roger Deakins will hope for his first win after being nominated for the 14th time.
  • Call Me by Your Name (4 nominations, including Best Picture): Also for Actor, Adapted Screenplay and Original Song. This film has earned James Ivory his first nomination in 24 years, after being nominated thrice for directing 'A Room with a View', 'Howards End' and 'The Remains of the Day'.
  • Darkest Hour (6 nominations, including Best Picture): Also for Actor, Cinematography, Costume, Make-up and Hair-design, and Production Design. Gary Oldman has already won the Golden Globe for Best Actor (Drama) for this movie and is a strong contender for his maiden Oscar trophy.
  • Dunkirk (8 nominations, including Best Picture and Director): Will Nolan win his first Oscar? Or will he have to wait like several great directors have done before him? The film is also nominated for Cinematography, Film Editing, Original Score by Hans Zimmer, Production Design, Sound Editing and Sound Mixing. 
  • Get Out (4 nominations, including Best Picture and Director): Also for Actor and Original Screenplay. Actor Jordan Peele writes, directs and produces his first movie and secures three Oscar nominations! That's some debut. It is unlikely to win any, but the movie has had a great run in every sense. And is a fantastic movie anyway.
  • Lady Bird (5 nominations, including Best Picture and Director): The movie has won the Golden Globes for Best Picture (Musical/Comedy) and director Greta Gerwig, also nominated for Original Screenplay, is only the fifth director in history to secure an Oscar nomination. Saoirse Ronan also won the Golden Globe for her performance and is a strong contender for the award. Laurie Metcalf is also nominated for her Supporting Role.
  • Mudbound (4 nominations): Adapted Screenplay. Cinematography. Original Song. Supporting Actress. DOP Rachel Morrison becomes the first woman cinematographer in Oscar history to win a nomination.
  • Phantom Thread (6 nominations, including Best Picture and Director): Paul Thomas Anderson has eight nominations to his name, without a win. Daniel Day-Lewis is retiring from acting and all of us are sad. But will this result in his record 4th win? The film is also nominated for Costume, Original Score and Supporting Actress.
  • The Shape of Water (13 nominations, including Best Picture and Director): Guillermo del Toro has already won the Golden Globe for directing this movie, as has Alexandre Desplat for its Original Score. The film is also nominated for Lead Actress, Supporting Actress, Supporting Actor, Original Screenplay, Cinematography, Production Design, Costumes, Film Editing, Sound Editing and Sound Mixing, being the only film to get all kinds of nominations: writing, acting, as well as most technical categories.
  • Three Billboards Outside Ebbing, Missouri (7 nominations, including Best Picture): The film has already won Best Actress for Frances McDormant, Supporting Actor for Sam Rockwell and Screenplay for Martin McDonagh at Golden Globes, all of whom are nominated for Oscars as well, apart from Film Editing, Original Score and another Supporting Actor nomination, for Woody Harrelson.
More movies to watch: After finishing these ten, one should definitely go for 'The Post', 'Coco', 'Star Wars: The Last Jedi', 'Baby Driver'. 'I, Tonya' and 'Victoria & Abdul'. These 16 movies will make you a pro at Oscars this year. :) I have watched only 7 out of these so far.

January 03, 2018

Cinema 2017: Favourite Classics

I have been away from this blog for five months. And I could watch only 140 movies in the last one year. The reason behind this will be known to you soon. Meanwhile, as the year ends, let me share with you the list of the ten classics I loved most in 2017. For this, I have considered all movies released before 2013 but first watched by me in the last twelve months:

  1. Berberian Sound Studio (2012/ UK) by Peter Strickland
  2. The Death of Mr. Lazarescu (2005/ Romania) by Cristi Puiu
  3. Far From Heaven (2002/ USA) by Todd Haynes
  4. Happiness (1998/ USA) by Todd Solondz
  5. Monsieur Lazhar (2011/ Canada) by Philippe Falardeau
  6. Mysterious Skin (2004/ USA-Netherlands) by Gregg Araki
  7. The Road Home (2000/ China) by Yimou Zhang
  8. Scarecrow (1973/ USA) by Jerry Schatzberg
  9. Summer Hours (2008/ France) by Olivier Assayas
  10. West Side Story (1961/ USA) by Robert Wise and Jerome Robbins
Also loved: 'The Believer' (2001/ USA) by Henry Bean, 'Fitzcarraldo' (1982/ West Germany) by Werner Herzog, 'Funny Games' (1997/ Austria) by Michael Haneke, and 'Road to Perdition' (2002/ USA) by Sam Mendes 

And some unforgettable ones: 'The Cabin in the Woods' (2012/ USA) by Drew Goddard, 'District 9' (2009/ New Zealand-USA-South Africa) by Neill Blomkamp, 'Old Joy' (2006/ USA) by Kelly Reichardt, 'Post Tenebras Lux' (2012/ Mexico-France) by Carlos Reygadas, and 'Suspiria' (1977/ Italy) by Dario Argento

    Cinema 2017: Modern Favourites

    I have been away from this blog for five months. And I could watch only 140 movies in the last one year. The reason behind this will be known to you soon. Meanwhile, as the year ends, let me share with you the list of the ten modern movies I loved most in 2017. For this, I have considered all movies released in the last five years but first watched by me in the last twelve months:
    1. Dunkirk (2017/ UK-USA) by Christopher Nolan
    2. Get Out (2017/ USA) by Jordan Peele
    3. Kubo and the Two Strings (2016/ USA) by Travis Knight
    4. Lion (2016/ Australia-UK) by Garth Davis
    5. Manchester by the Sea (2016/ USA) by Kenneth Lonergan
    6. Rams (2015/ Iceland) by Grimur Hakonarson
    7. Taxi Tehran (2015/ Iran) by Jafar Panahi
    8. Toni Erdmann (2016/ Germany-Austria) by Maren Ade
    9. What We Do in the Shadows (2014/ New Zealand) by Jemaine Clement and Taika Waititi
    10. Wonder Woman (2017/ USA) by Patty Jenkins
    Also loved: 'Hacksaw Ridge' (2016/ USA-Australia) by Mel Gibson, 'Moonlight' (2016/ USA) by Barry Jenkins, and 'The VVitch' (2015/ USA-Canada) by Robert Eggers

    And some unforgettable ones: 'The Lure' (2015/ Poland) by Agnieszka Smoczynska, 'The Tribe' (Plemya) (2014/ Ukrain) by Myroslav Slaboshpytskyi, and 'Hard to Be a God' (2013/ Russia) by Aleksei German

      August 05, 2017

      #11: Heartache. Heartbreak

      This post is a part of a series that chronicles my personal journey with the movies, the origin of the love affair when I was a kid and its growth into the obsession it is today. Click here and read from down upward for the entire series.

      "When we're in love we experience pleasure, and extreme pain." - Paul Thomas Anderson's 'The Master' (2012)

      The first favorite film of my life, 'Hum Aapke Hain Koun!', was released exactly 23 years ago. It went on to change a lot of things. Made by a 28-year old, it changed the perception of movie business by becoming the first film to gross 100 crores. With its songs and dance and games, it changed how the weddings in most of North India were conducted - with increased popularity of the ritual of groom's shoes being stolen by bride's sisters, to be returned only after extorting a good sum of money. And it changed the film-buff in me, as evident by this previous post on it.

      Five years later, Sooraj Barjatya returned with his next. I still remember seeing its first look one afternoon in a newspaper outside the library of my boarding school. During the Durga Puja holidays that followed, my Mom, my brother and I would spend hours listening to its songs and discussing its lyrics and finding clues in it about the story. I remember Kunal Kohli's very favorable review of its music in his show 'Chalo Cinema'. I remember reading its preview in the newspaper and wondering how it could be, as mentioned there, a modern-day adaptation of the Ramayana. Would it involve the kidnapping of Sita by Raavan and the war that follows? And I remember the deep sorrow I had felt on realizing that it won't be released in my home-town on the very first day, Diwali of 1999, and I'll have to wait for the Winter Vacation to watch it. 'Hum Saath Saath Hain' was the first film I had truly, madly, obsessively waited for. The movie-lover in me had now turned a fanatic.

      And as it happens with obsessive love, I was to soon receive immense pain when, back at my hostel, a friend who was a big fan of 'HAHK!' mentioned his disappointment with 'HSSH' to me. Others were even more critical of it, 14-15 year olds who, obviously, had started preferring more realistic movies, like 'Shool', released the same day, and loved openly lambasting the saccharine idealism of Barjatya.

      Like all heartbreaks, I went through all five stages of grief, while dealing with the underwhelming response to the film. But when, in the next vacation, I watched it in Lucknow, my brother and I laughed and cried and absolutely loved it. Like all fanatics we decided to keep our faith in the filmmaker we most revered. We watched it again, in Patna, and I memorized all its dialogues, hoping to narrate it to my friends when I meet them next and slowly spread the cult of this movie!

      Well, 'Hum Saath Saath Hain' did end up as the biggest grosser of the year, but its business was a let-down for the market. As Januray 2000 arrived, the phenomenon of Hrithik Roshan redefined the Hindi film hero, and the ideals of Sooraj Barjatya rapidly became a thing of the past. Today, I am aware of all the flaws of 'HSSH', and its very convenient plot-points embarrass me, but I still watch and love and get sentimental about it as often as I can, including humming its songs which have lost their magic on me.

      But then, there is something more to this story. Recently, my family and I made a trip to Dehradun to meet my to-be in laws and I got engaged. As I thanked God for making this happen, finding the right life-partner and seeing my parents happier than ever, I realized one more thing as we laughed and ate and traveled together. That joy we felt and the respect and warmth my parents received took me back to several moments from the cinema of Sooraj Barjatya. Weddings and family values continue to be such important parts of our society and the film-maker who led to its documentation is him. Life is not as saccharin sweet as his films, but these joys are as pure. Time and again, Sooraj Barjatya has brought me closer to my brother and my parents, and I hope he will continue to inspire me as I become a part of a new family. And for this reason alone, he continues to remain the most revered film-maker for me, despite all his bad movies and heartbreaks that followed 'Hum Saath Saath Hain!'

      June 25, 2017

      21st Century Film Festival

      After a very ordinary 2016, during which I watched very few great movies, I have been persistently trying to do better this year. And hence, this June I organized another film festival for my lone self. This time I selected ten movies from the 21st century, movies which are considered great but which I had not watched. 

      For this festival, I tried to have an interesting mix, from narrative features to animation and documentary films, and the list boasts of some of the greatest film-makers active today. I included some very popular titles as well, movies which most people around me have watched but I hadn't. It has been a tremendously rewarding experience and I may come up with a second edition of this festival very very soon.
      • Gladiator (2000/ UK-USA) by Ridley Scott: This epic historical action-drama was the opening film of my festival. It had won five Oscars, including Best Picture and it was one of the most popular American films I hadn't seen yet.
      • White Material (2009/ France) by Claire Denis: This drama set in the backdrop of an unnamed African nation torn by civil war is the fourth film I have watched of the very acclaimed French director, Claire Denis. To be honest, I still need to watch more of her work and more time to form an opinion of her.
      • The Gleaners & I (2000/ France) by Agnes Varda: Perhaps the most acclaimed documentary of this century, it was a playful watch that left with lots of images and thoughts in my head. I'm glad I selected this for the festival. 
      • District 9 (2009/ New Zealand-USA-South Africa) by Neill Blomkamp: This sci-fi mockumentary film was quite a revelation. I was aware of its name but I had no idea that this was going to be anywhere close to this. Such a refreshing take on aliens (OR such a refreshing take on civil unrest everywhere in the world with the metaphor of aliens!) The film was nominated for four Oscars, including Best Picture.
      • Grizzly Man (2005/ USA) by Werner Herzog: Again a very reputed documentary of this century, on the life and death of bear enthusiast Timothy Treadwell, it was an unforgettable experience - those images of faith and horror, and the narration by Herzog. 
      • Erin Brockovich (2000/ USA) by Steven Soderbergh: Another popular movie that I had not watched yet, this drama film tells the story of the real-life Erin Brockovich who despite no formal education in the law was instrumental in building one of the biggest lawsuits in American history. Quite an entertaining film, I thought, for which Julia Roberts won an Oscar. But it is only the fifth Soderbergh movie I have watched. A lot remains.
      • L'Illusionniste (2010/ France-UK) by Sylvain Chomet: This Oscar nominated animation was an out-and-out art-house affair, and hence very refreshing for me. With hardly any dialogue, and lacking any remarkable drama, it quietly tells the story of a magician's unending struggles.
      • War Witch (2012/ Canada) by Kim Nguyen: This war drama, again set in a civil unrest in an African nation, premiered at Berlin, winning the Prize of the Ecumenical Jury and Best Actress for the teenage actor. It was Canada's entry at the Oscars that year and eventually got nominated into the top five.
      • A Scanner Darkly (2006/ USA) by Richard Linklater: Out of the thirteen Linklater movies that I have watched, this might be among the two-three least favorite. But this was pending for years, and I had to do it. I was mostly unmoved by it, but the last ten minutes did something and I felt it was an exercise worth taking.
      • Summer Hours (2008/ France) by Olivier Assayas: What a movie to close the festival's first edition. This is a heartwarming drama about a family and its generations and how they deal with their ancestral house and inheritance while sorting out their own priorities. One of the best movies I have seen this year so far, this is also the 100th film I watched in 2017. Hoping for another 100, at least.

      May 31, 2017

      Cannes in Andheri Film Festival 2017

      As the world's most reputed film festival unfolded over the last couple of weeks in Cannes, I conducted my own personal film festival, like previous years. I curated films that have won awards at Cannes over the last few decades and watched nine movies as part of this one-man film festival:

      • Crimson Gold (2003/ Iran/ Jafar Panahi) Winner of Un Certain Regard Jury Prize. The film is a crime drama involving a pizza delivery man who increasingly gets attracted to the idea of quick money.
      • Songs from the Second Floor (2000/ Sweden/ Roy Andersson) Winner of Jury Prize in the Main Competition category. This film is the first of the 'Living Trilogy' of exceptionally original comedies, followed by 'You, the Living' and 'A Pigeon Sat on a Branch Reflecting on Existence'.
      • Gate of Hell (1953/ Japan/ Teinosuke Kinugasa) Winner of the Grand Prix, the top prize at that year's festival. It went on to win an Oscar for Costume Design and another Honorary Foreign Language Oscar. A period samurai story of obsessive love, reminded me of our very own 'Darr'!
      • Scarecrow (1973/ USA/ Jerry Schatzberg) Winner of Palme d'Or and OCIC Award at Cannes. Discovering this movie was a big surprise. No one talks about this one, although it is so good at so many levels. It is a road-movie as a sailor and a con-man forge a beautiful friendship on their way back home.
      • Fitzcarraldo (1982/ West Germany/ Werner Herzog) Winner of Best Director. Inspired by the true story of an Irish adventurer and his endeavors in South America, this film has an imposing scale and an incredible tale to tell. 
      • If.... (1969/ UK/ Lindsay Anderson) Winner of Palme d'Or. This British comedy-drama shows us the ridiculous tradition at play while running an apparently prestigious boys boarding school. Frequently jumping from color to b&w, with several surrealistic sequences and an explosive climax, I could figure why this film must have garnered acclaim. However, it was kind of tough for me to watch it.
      • Post Tenebras Lux (2012/ Mexico-France/ Carlos Reygdas) Winner of Best Director. A film like this is essential to complete your movie experience. A slow-paced drama with some sequences so bizarre you don't even care if it had any meaning. But with brilliant cinematography, and natural effective performances, you know this is something special. For me, just the opening sequence was worth anything, and the shocker at the end that I won't tell you about made it really memorable.
      • The Sugarland Express (1974/ USA/ Steven Spielberg) Winner of Best Screenplay. One of the lesser know Spielberg movies, its screenplay was co-written by Matthew Robbins, who wrote 'Saat Khoon Maaf' and 'Rangoon' with Vishal Bhardwaj. The movie is on the lines of 'Bonnie and Clyde' but has more comedic elements involving a massive chase of a crime couple, based on true incidents. 
      • The Death of Mr. Lazarescu (2005/ Romania/ Cristi Puiu) Winner of Un Certain Regard Award. Perhaps the perfect movie to close the festival. A drama set over a few hours of a night, it works almost like a thriller in the closing half an hour. And it looks so real it is hard to believe it is a movie.

      May 07, 2017

      Horror Feast

      Over the last few weeks I have watched horror films of all kinds. It is interesting how this genre is not limited to stories where a spirit attacks or possesses humans, and antagonists of different kinds can create similar emotional impact, a catharsis of sorts, as evident by the following movies I watched recently:
      • The Cabin in the Woods (2012/ USA) by Drew Goddard: An exaggerated celebration of the genre, this is one of the most audaciously original genre movies I have seen. Super fun. You should be extremely open-minded when you sit for this. I almost recommended it as a must-watch-before-you-die.
      • What We Do in the Shadows (2014/ New Zealand) by Jemaine Clement and Taika Waititi: This is a horror mockumentary. And is really, really funny. Anyone should watch and enjoy it, even those who don't like to be scared. It is again more a tribute to the genre than something that will scare you.
      • The Host (2006/ South Korea) by Bong Joon-ho: No supernatural here, but an animal, a monster created by man's apathy toward nature. It is a typical creature horror extravaganza and has nothing subtle or artistic about it. But can be fun for most.
      • Inside (2007/ France) by Julien Maury and Alexandre Bustillo: This is a movie I'll certainly not recommend to anyone. Do not watch it. If you are a woman, definitely stay away. Here again, the threat does not come from a spirit, but a brutal home invasion. You think you've seen gore. See this. Or better, do not see this.
      • The Invitation (2015/ USA) by Karyn Kusama: This movie, set over a dinner at one location, is more of a mystery-thriller than horror. But the experience is horrifying for sure. It does not really answer all questions its plot raises, but does hint at ritualistic human sacrifice, kind-of-satan-worship and things like that, done in a modern urban context.
      • Suspiria (1977/ Italy) by Dario Argento: Everything about this movie is loud. Colors. Sound. Score. Performances. It may look like a B-grade witch-movie, but its aesthetic choices are impressive and impactful. No wonder it is considered an influential film of the genre.
      • Trouble Every Day (2001/ France) by Claire Denis: A bizarre and surrealistic take on the vampire sub-genre, this film again manages to put the blame on humans and humans alone. Do not look for plot here. There is one and in the end you will have a sense of a story. But most story-elements remain unexplained. It also has some really disturbing sequences you may want to stay away from. And it is directed by one of the most reputed female directors of our time.

      May 01, 2017

      Great Screenwriters #1: Ben Hecht (1894-1964)

      Despite having watched thousands of great movies and discovering and reading about several film-makers from around the world, my knowledge of screenwriters and their respective filmographies remains non-existent. This series is an attempt to correct this.

      BEN HECHT (1894-1964)

      Six Oscar nominations. Two wins.

      Ben Hecht contributed as a writer to several legendary American classics. His contribution ranged from working as a story-writer, screenplay-writer, and a contributing writer including several uncredited work.

      Movies I have watched: Scarface (1932), Nothing Sacred (1937), Gunga Din (1939), Stagecoach (1939), Wuthering Heights (1939), Gone with the Wind (1939), His Girl Friday (1940), Foreign Correspondent (1940), Spellbound (1945), Notorious (1946), Rope (1948) and Strangers on a Train (1951).

      Notable movies I should watch: Underworld (1927), The Front Page (1931), Viva Villa! (1934), Twentieth Century (1934), The Scoundrel (1935), Angels Over Broadway (1940), Kiss of Death (1947), Where the Sidewalk Ends (1950) and Monkey Business (1952).

      April 16, 2017

      Cannes 2017: Nominees for Palme d'Or

      • Fatih Akin (43, Germany) with 'In the Fade' starring Diane Kruger. Previously awarded film at Cannes: 'The Edge of Heaven'. Also known for 'Head-On' and 'Soul Kitchen'.
      • Noah Baumbach (48, USA) with 'The Meyerowitz Stories' starring Adam Sandler, Ben Stiller, Emma Thompson and Dustin Hoffman. Also known for 'The Squid and the Whale', 'Greenberg' and 'Frances Ha'.
      • Joon-ho Bong (48, South Korea) with 'Okja' starring Tilda Swinton, Jake Gyllenhaal and Paul Dano. Previously nominated films at Cannes: 'Tokyo!' and 'Madeo'. Also known for 'The Host' and 'Snowpiercer'.
      • Robin Campillo (54, France) with '120 Beats per Minute'. Known for 'Eastern Boys'. He also was one of the writers on Palm d'Or winning film 'The Class'.
      • Sofia Coppola (45, USA) with 'The Beguiled' starring Colin Farrell, Nicole Kidman and Kirsten Dunst. Previously awarded film at Cannes: 'Marie Antoinette'. Previously nominated film at Cannes: 'The Bling Ring'. Also known for 'Lost in Translation' and 'Somewhere'.
      • Jacques Doillon (73, France) with 'Rodin'. Previously awarded film at Cannes: 'Raja'. Previously nominated films at Cannes: 'La drolesse' and 'La pirate'. Also known for 'Le petit criminal', 'Le jeune Werther' and 'Ponette'.
      • Michael Haneke (75, Austria) with 'Happy End' starring Isabelle Huppert and Jean-Louis Trintignant. Previously awarded film at Cannes: 'The Piano Teacher', 'Cache', 'The White Ribbon' and 'Amour'. Previously nominated film at Cannes: 'Code Unknown' and 'Time of the Wolf'.
      • Todd Haynes (56, USA) with 'Wonderstruck' starring Julianne Moore and Michelle Williams. Previously awarded film at Cannes: 'Carol'. Previously nominated film at Cannes: 'Velvet Goldmine'. Also known for 'Far from Heaven' and 'I'm Not There'.
      • Michel Hazanavicius (50, France) with 'Redoubtable' starring Louis Garrel as Jean-Luc Godard. Previously nominated film at Cannes: 'The Artist' and 'The Search'.
      • Sang-soo Hong (55, South Korea) with 'The Day After'. Previously awarded film at Cannes: 'Hahaha'. Previously nominated films at Cannes: 'Virgin Stripped by Her Bachelor', 'Woman is the Future of Man', 'Tale of Cinema', 'The Day He Arrives' and 'In Another Country'.
      • Naomi Kawase (47, Japan) with 'Radiance'. Previously awarded films at Cannes: 'Suzaku' and 'The Mourning Forest'. Previously nominated films at Cannes: 'Shara', 'Hanezu', 'Still the Water' and 'Sweet Bean'.
      • Yorgos Lanthimos (43, Greece) with 'The Killing of a Sacred Deer' starring Colin Farrell and Nicole Kidman. Previously awarded films at Cannes: 'Dogtooth' and 'The Lobster'. Also known for 'Alps'.
      • Sergei Loznitsa (52, Ukraine) with 'A Gentle Creature'. Previously awarded film at Cannes: 'In the Fog'. Previously nominated film at Cannes: 'My Joy'. 
      • Kornel Mundruczo (42, Hungary) with 'Jupiter's Moon'. Previously awarded films at Cannes: 'Delta' and 'White God'. Previously nominated films at Cannes: 'Johanna' and 'Tender Son: the Frankenstein Project'.
      • Ruben Ostlund (43, Sweden) with 'The Square'. Previously awarded films at Cannes: 'Play' and 'Force Majeure'.
      • Francois Ozon (49, France) with 'L'Amant Double'. Previously nominated films at Cannes: 'Swimming Pool' and 'Jeune & jolie'. Also known for 'Water Drops on Burning Rocks', '8 Women' and 'Potiche'.
      • Lynne Ramsay (47, Scotland) with 'You Were Never Really Here' starring Joaquin Phoenix. Previously awarded film at Cannes: 'Morvern Callar'. Previously nominated film at Cannes: 'We Need to Talk About Kevin'.
      • Joshua and Ben Safdie (30s, USA) with 'Good Time' starring Robert Pattinson and Jennifer Jason Leigh. Previously nominated film at Cannes: 'The Pleasure of Being Robbed'. Also known for 'Heaven Knows What'.
      • Andrey Zvyagintsev (53, Russia) with 'Loveless'. Previously awarded films at Cannes: 'Elena' and 'Leviathan'. Previously nominated film at Cannes: 'The Banishment'. Also known for 'The Return'.

      March 29, 2017

      Modern Masters: 2017 List

      Sharing with you, like 2015 and 2016, the names of ten film-makers with the most impressive filmography during 2000 to 2016. This list has been created by going through the TSPDT list of 1000 greatest movies of the century and the ranking is calculated by considering the number of movies each director has in the top thousand and the respective rank of those movies in that list.

      So here is the list of the top ten filmmakers of the last seventeen years:

      10. Hou Hsiao-Hsien (69-year old Taiwanese film-maker): A new entry into this list, Hou has directed five features in the last seventeen years, all of which feature within top 235 of TSPDT's Top-1000: Cafe Lumiere, Three Times, Flight of the Red Balloon, The Assassin and Millennium Mambo. However, he is only marginally ahead of Christopher Nolan who may return to the top ten with his latest release 'Dunkirk'. There is no news on Hou's next film yet. Note: Hou's entry has kicked Steven Spielberg out of the list who was ranked 6th last year, also because his latest film 'The BFG' could not make it to the Top 1000. But Spielberg may regain a spot in this list next year after his upcoming film 'The Post' (Tom Hanks, Meryl Streep) comes out.

      9. Quentin Tarantino (53-year old American film-maker): One rank down from last year, Tarantino has made six films in the last sixteen years, all of which feature in Top 1000: Kill Bill: Volumes 1 and 2, Death Proof, Inglourious Basterds, Django Unchained and The Hateful Eight. It will be interesting to see if he retains his position in this list of top directors without any releases scheduled this year.

      8. Claire Denis (70-year old French film-maker): The only woman on the list, Denis is two spots higher from last year despite no feature release since 2013. She has directed six feature films since 2000, all of which feature in Top 1000: Trouble Every Day, Friday Night, The Intruder, 35 Shots of Rum, White Material and Bastards. Her latest film 'Dark Glasses' releases this year and may guarantee her presence in this list next year as well.

      7. Martin Scorsese (74-year old American film-maker): Thanks to his latest release 'Silence' Scorsese is two positions up from last year. He has directed six other films since 2000, all of which feature in Top 1000: Gangs of New York, The Aviator, The Departed, Shutter Island, Hugo and The Wolf of Wall Street. His next release is in 2018 but it is less likely that he will lose his pace in the top ten anytime soon.

      6. Apichatpong Weerasethakul (46-year old Thai film-maker): With his 2015-film 'Cemetery of the Splendour' breaking into Top 1000, this Thai auteur is one place up from last year. He has directed seven films since 2000, six of which feature in Top 1000, including 'Tropical Malady', 'Blissfully Yours', 'Syndromes and a Century', 'Uncle Boonmee Who Can Recall His Past Lives' and 'Mysterious Objects at Noon'. 

      5. Wes Anderson (47-year old American film-maker): One rank down from last year, perhaps because of no releases in the last two years, Anderson has directed six films since 2000, all of which feature in Top 1000: The Royal Tenenbaums, Moonrise Kingdom, Fantastic Mr. Fox, The Grand Budapest Hotel, The Life Aquatic with Steve Zissou and The Darjeeling Limited. He will not have a release this year as well with his next 'Isle of Dogs' coming only in 2018.

      4. Jia Zhangke (46-year old Chinese film-maker): One position higher from last year, Jia has made seven films since 2000, six of which feature in Top 1000: Platform, Still Life, The World, Unknown Pleasures, A Touch of Sin and 24 City. He does not have any release this year as well, as his next film, 'Journey to the West' releases in 2018.

      3. Joel and Ethan Coen (American film-makers, respectively 62 and 59 years of age): Despite mixed reviews of their latest release, it made it to Top 1000 and the Coen Brothers have retained their third position. They have directed ten films since 2000, eight of which feature in Top 1000: No Country for Old Men, A Serious Man, Inside Llewyn Davis, O Brother, Where Art Thou?, True Grit, The Man Who Wasn't There, Burn After Reading and Hail, Caesar! The film-making duo are now directing a TV mini-series and have not announced their next feature.

      2. Richard Linklater (56-year old American film-maker): Holding on to the second spot, Linklater has directed twelve films since 2000, eight of which feature in Top 1000: Before Sunset, Boyhood, Waking Life, Before Midnight, School of Rock, A Scanner Darkly, Everybody Wants Some! and Bernie. If his upcoming film 'Last Flag Flying' is received well by the critics, he may grab the top position next year.

      1. Michael Haneke (75-year old Austrian film-maker): Despite having no releases in the last four years, Haneke stays at the top, thanks to five of his films ranked 101 or better in Top 1000. He has directed seven films since 2000, six of which have helped him earn and stay at this position: Cache, The Piano Teacher, The White Ribbon, Code Unknown, Amour and Time of the Wolf. Whether he stays at the top next year or not depends on how well his upcoming film 'Happy End' is received. I expect some reshuffle in the top three when I compile the next list in March 2018. Until then, let us watch more of the above-mentioned movies.

      March 17, 2017

      Oscars Festival 2017

      During the last few weeks I had my own Oscars Festival during which I watched movies competing at this Oscars along with some old winners in different categories. In the end, I watched seventeen movies during this festival of mine. I think I should do this every year.

      OPENING FILM: The Awful Truth (1937): Director Leo McCarey won the award for his work on this film that was also nominated for Best Picture, Screenplay, Film Editing, Actress and Supporting Actress. It was a rare classic comedy that I enjoyed and it also made me realize that I had misunderstood the term 'Screwball Comedy' all along!

      Braveheart (1995): Perhaps the biggest winner on this list, I did not really enjoy the movie. Well, it is one of those movies which a film-buff must have watched, so I checked that. But otherwise, its performance at the Oscars makes me feel that this entire list of mine is futile! It won five awards: Best Picture, Director, Cinematography, Sound Effects Editing and Make-Up and was nominated in five other categories: Costume, Sound, Score, Film Editing and Original Screenplay.

      Moonlight (2016): Watching the latest top-winner in an Indian movie theater completely ruined it for me. I need to watch it again, with all the scenes intact and subtitles to help me comprehend the dialogues better. The movie won three Oscars: Best Picture, Adapted Screenplay and Supporting Actor and had five more nominations: Director, Supporting Actress, Cinematography, Film Editing and Score.

      Hacksaw Ridge (2016): The winner of Film Editing and Sound Mixing, it was also nominated for Best Picture, Director, Actor, and Sound Editing. I really loved the movie and was surprised that it was nominated for its writing.

      Kubo and the Two Strings (2016): This was where my festival actually started going somewhere. What a beautiful film! It did not win any Oscars but was nominated for two, Best Animated Feature and Visual Effects. 

      Hidden Figures (2016): I wish we could tell more true stories in India than we do. Quite a powerful, entertaining film, nominated for Best Picture, Adapted Screenplay and Supporting Actress although it didn't win any.

      Silence (2016): It remains a mystery to me why 'Silence' did not get nominated for Best Picture. It had only one nomination, for its stunning Cinematography, and ended up without any win. It was a difficult watch, yes, but what a brilliant movie!

      Manchester by the Sea (2016): Watching this movie gave me a moment of epiphany where I was forced to consider the kind of stories I am telling or should be telling. If I work on it, this movie might be one of those which shaped my life. It won two very well-deserving Oscars for Best Actor and Original Screenplay while it was nominated for four more: Best Picture, Director, Supporting Actor and Supporting Actress.

      Lion (2016): I do not remember which other movie has made me cry so much in recent years. I pity the intellectuals and cynics who fail to be moved by this beautiful human story. It did not win any Oscar despite being nominated in six categories: Best Picture, Adapted Screenplay, Supporting Actor, Supporting Actress, Cinematography, and Score, but it was a highlight of my festival.

      Jackie (2016): Nominated for Best Actress, Costume and Score, it was a Hollywood film only because of its casting and the spoken language. In every other sense, it was world cinema, difficult to watch but I am sure it will definitely improve in the second watch, and also if I do some reading about its characters.

      Fences (2016): It won the award for Best Supporting Actress and was also nominated for Best Picture, Actor and Adapted Screenplay. To be honest it was too 'play-like' for my taste but it worked because of its universal subject matter, parenthood and love within a family, and the brilliant performances.

      Arrival (2016): I re-watched it on big screen after my first watch last year. Winning the Oscar for Best Sound Editing, it was also nominated in seven other categories: Best Picture, Directing, Adapted Screenplay, Film Editing, Sound Mixing, Cinematography and Production Design. It should also have won two more nominations - Best Actress and Original Score. 

      Black Narcissus (1947): I never knew this film was set entirely in India. Was definitely a stunning watch and won the well-deserved Oscars for its Cinematography and Art Direction. However, I did not enjoy it too much. Will not revisit this film unless absolutely necessary.

      The Quiet Man (1952): Easily the worst film on this list, although very acclaimed. I somehow endured it. Will never recommend this to anyone. And I really don't care that it won two Oscars - for Best Director and Cinematography (Color) and was nominated for five more: Best Picture, Screenplay, Supporting Actor, Sound Recording and Art Direction (Color).

      Road to Perdition (2002): I loved this! It won the award for its stunning cinematography while it was nominated in five more categories: Art Direction, Sound, Sound Editing, Score and Supporting Actor for Paul Newman in his last movie appearance.

      Misery (1990): A thriller-horror like this is essential to make a festival complete. But such movies hardly ever get nominated for the Academy Awards. This one was, in one category, and it won that - Best Actress for Kathy Bates. I'm glad I watched this movie and then realized there are so many acclaimed movies made on Stephen King's works.

      CLOSING FILM: Toni Erdmann (2016) I really liked 'The Salesman' but in my opinion the Foreign-Language Oscar should have gone to this German film. How outrageous and unforgettable! It was nominated in only one category and obviously did not win any, but for its sheer originality, brilliant performances, and being so sad and so funny at the same time, I recommend it as a must-watch-before-you-die (#49).